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dc.contributor.authorM. Ahnen_US
dc.date.accessioned2022-09-27T08:11:03Z-
dc.date.available2022-09-27T08:11:03Z-
dc.date.issued2019en_US
dc.identifier.issn1469-8447en_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2019.1649012en_US
dc.identifier.urihttp://hdl.handle.net/11536/158114-
dc.language.isoen_USen_US
dc.publisherRoutledgeen_US
dc.titleBroken motherhood, biopolitical victim, and transnational female hysteria in Japanese Pan-pan and Korean Yanggongju melodramas: cross-reading Hollywood motifsen_US
dc.typeCampus Publicationsen_US
dc.identifier.doi10.1080/14649373.2019.1649012en_US
dc.identifier.journalInter-Asia Cultural Studiesen_US
dc.citation.volume20en_US
dc.citation.issue3en_US
dc.citation.spage452en_US
dc.citation.epage469en_US
顯示於類別:Inter-Asia Cultural Studies