Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | C. Berry | en_US |
dc.date.accessioned | 2022-09-27T08:11:14Z | - |
dc.date.available | 2022-09-27T08:11:14Z | - |
dc.date.issued | 2003 | en_US |
dc.identifier.issn | 1469-8447 | en_US |
dc.identifier.uri | http://dx.doi.org/10.1080/1464937032000060276 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/158324 | - |
dc.language.iso | en_US | en_US |
dc.publisher | Routledge | en_US |
dc.title | The documentary production process as a counter-public: notes on an inter-Asian mode and the example of Kim Dong-Won | en_US |
dc.type | Campus Publications | en_US |
dc.identifier.doi | 10.1080/1464937032000060276 | en_US |
dc.identifier.journal | Inter-Asia Cultural Studies | en_US |
dc.citation.volume | 4 | en_US |
dc.citation.issue | 1 | en_US |
dc.citation.spage | 139 | en_US |
dc.citation.epage | 144 | en_US |
Appears in Collections: | Inter-Asia Cultural Studies |