Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | H. S. Kim | en_US |
dc.date.accessioned | 2022-09-27T08:11:38Z | - |
dc.date.available | 2022-09-27T08:11:38Z | - |
dc.date.issued | 2013 | en_US |
dc.identifier.issn | 1469-8447 | en_US |
dc.identifier.uri | http://dx.doi.org/10.1080/14649373.2013.831194 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/158945 | - |
dc.language.iso | en_US | en_US |
dc.publisher | Routledge | en_US |
dc.title | Cold War and the contested identity formation of Korean filmmakers: on Boxes of Death and Kim Ki-yo˘ng's USIS films | en_US |
dc.type | Campus Publications | en_US |
dc.identifier.doi | 10.1080/14649373.2013.831194 | en_US |
dc.identifier.journal | Inter-Asia Cultural Studies | en_US |
dc.citation.volume | 14 | en_US |
dc.citation.issue | 4 | en_US |
dc.citation.spage | 551 | en_US |
dc.citation.epage | 563 | en_US |
Appears in Collections: | Inter-Asia Cultural Studies |