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dc.contributor.authorChen, Yi-Hueien_US
dc.contributor.authorHuang, Chih-Fangen_US
dc.date.accessioned2014-12-08T15:26:38Z-
dc.date.available2014-12-08T15:26:38Z-
dc.date.issued2011-10-01en_US
dc.identifier.issn1932-4553en_US
dc.identifier.urihttp://dx.doi.org/10.1109/JSTSP.2011.2162816en_US
dc.identifier.urihttp://hdl.handle.net/11536/18926-
dc.description.abstractThis paper proposes sounds analysis and a synthesis model for the Chinese plucked string instrument called the pipa, one of the oldest Chinese musical instruments with over 2000 years of history. The pipa comprises four strings with 30 frets and individual pear-shaped body so that it can offer a wide chromatic scale around 3.5 octaves and many kinds of tones. The acoustical properties of this instrument are analyzed according to the recorded tones. The most vital playing techniques are synthesized by using both physical and spectral based models with auxiliary rules. Applying the digital waveguide concept, the pipa model was constructed with digital filters and input excitations. Synthetic results are very similar to the recorded one according to the waveforms and spectra comparison and the statistics of listening tests.en_US
dc.language.isoen_USen_US
dc.subjectDigital waveguideen_US
dc.subjectphysical base modelen_US
dc.subjectpipaen_US
dc.subjectplaying techniquesen_US
dc.subjectpluck stringen_US
dc.subjectsound synthesisen_US
dc.titleSound Synthesis of the Pipa Based on Computed Timbre Analysis and Physical Modelingen_US
dc.typeArticleen_US
dc.identifier.doi10.1109/JSTSP.2011.2162816en_US
dc.identifier.journalIEEE JOURNAL OF SELECTED TOPICS IN SIGNAL PROCESSINGen_US
dc.citation.volume5en_US
dc.citation.issue6en_US
dc.citation.spage1170en_US
dc.citation.epage1179en_US
dc.contributor.department音樂研究所zh_TW
dc.contributor.departmentInstitute of Musicen_US
dc.identifier.wosnumberWOS:000295012900008-
dc.citation.woscount0-
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