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dc.contributor.authorTang, Nick C.en_US
dc.contributor.authorHsu, Chiou-Tingen_US
dc.contributor.authorSu, Chih-Wenen_US
dc.contributor.authorShih, Timothy K.en_US
dc.contributor.authorLiao, Hong-Yuan Marken_US
dc.date.accessioned2014-12-08T15:29:02Z-
dc.date.available2014-12-08T15:29:02Z-
dc.date.issued2011-08-01en_US
dc.identifier.issn1520-9210en_US
dc.identifier.urihttp://dx.doi.org/10.1109/TMM.2011.2112642en_US
dc.identifier.urihttp://hdl.handle.net/11536/20937-
dc.description.abstractVideo inpainting is an important video enhancement technique used to facilitate the repair or editing of digital videos. It has been employed worldwide to transform cultural artifacts such as vintage videos/films into digital formats. However, the quality of such videos is usually very poor and often contain unstable luminance and damaged content. In this paper, we propose a video inpainting algorithm for repairing damaged content in digitized vintage films, focusing on maintaining good spatiotemporal continuity. The proposed algorithm utilizes two key techniques. Motion completion recovers missing motion information in damaged areas to maintain good temporal continuity. Frame completion repairs damaged frames to produce a visually pleasing video with good spatial continuity and stabilized luminance. We demonstrate the efficacy of the algorithm on different types of video clips.en_US
dc.language.isoen_USen_US
dc.subjectFrame completionen_US
dc.subjectmotion completionen_US
dc.subjectmotion estimationen_US
dc.subjectvideo inpaintingen_US
dc.titleVideo Inpainting on Digitized Vintage Films via Maintaining Spatiotemporal Continuityen_US
dc.typeArticleen_US
dc.identifier.doi10.1109/TMM.2011.2112642en_US
dc.identifier.journalIEEE TRANSACTIONS ON MULTIMEDIAen_US
dc.citation.volume13en_US
dc.citation.issue4en_US
dc.citation.spage602en_US
dc.citation.epage614en_US
dc.contributor.department交大名義發表zh_TW
dc.contributor.departmentNational Chiao Tung Universityen_US
dc.identifier.wosnumberWOS:000293710300002-
dc.citation.woscount8-
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