Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Chang, Ivy I-chu | en_US |
dc.date.accessioned | 2014-12-08T15:34:47Z | - |
dc.date.available | 2014-12-08T15:34:47Z | - |
dc.date.issued | 2014-03-01 | en_US |
dc.identifier.issn | 1054-2043 | en_US |
dc.identifier.uri | http://dx.doi.org/10.1162/DRAM-a-00329 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/23674 | - |
dc.description.abstract | Shuttling queerly across multiple temporalities, Chou Katherine Hui-ling's drama depicts a romance between You Ruilang, a self-castrated female impersonator, and Xu Jifang. The dramaturgy of gender transitivity intertwines sexual identity and nationalism, making palpable the homosexuality and homosociality that occurs between homophobia and homophilia. | en_US |
dc.language.iso | en_US | en_US |
dc.title | Queer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Mother | en_US |
dc.type | Article | en_US |
dc.identifier.doi | 10.1162/DRAM-a-00329 | en_US |
dc.identifier.journal | TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES | en_US |
dc.citation.volume | 58 | en_US |
dc.citation.issue | 1 | en_US |
dc.citation.spage | 89 | en_US |
dc.citation.epage | 107 | en_US |
dc.contributor.department | 交大名義發表 | zh_TW |
dc.contributor.department | National Chiao Tung University | en_US |
Appears in Collections: | Articles |