Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 張國鍵 | en_US |
| dc.date.accessioned | 2014-12-11T09:35:31Z | - |
| dc.date.available | 2014-12-11T09:35:31Z | - |
| dc.date.issued | 2010-01-03 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/2066?issueID=88 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/34746 | - |
| dc.description.abstract | 沉寂一時的韓國風潮再度捲土重來，這一波浪潮不再是韓國偶像劇與連續劇，而是超人氣偶像團體帶動東亞與東南亞地區的韓風浪潮。自七八○年代起，由於文化的接近性使得韓國偶像劇、偶像團體、和時裝造型等快速地進軍台灣市場。然而哈韓現象往往引起爭議性，韓國文化入侵台灣社會，則經常被塑造成對社會的負面影響。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 哈韓所隱藏的文化侵襲 | zh_TW |
| dc.citation.issue | 傳科學生網第六十九期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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