Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 陳維平 | en_US |
| dc.date.accessioned | 2014-12-11T09:35:45Z | - |
| dc.date.available | 2014-12-11T09:35:45Z | - |
| dc.date.issued | 2010-04-18 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/2434?issueID=95 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/34865 | - |
| dc.description.abstract | 有人說，音樂能平息野獸，但在影片中，這句話卻像極了廣告詞，充滿了嘲諷和質疑。這首革命曲，少了一些高雅精緻、卻多了幾分粗糙與真實，甚至淒美得讓人熱淚盈眶。細細品味電影《小提琴革命曲》的音樂手痕，和每個人物不同的考量心態，或許更能體會屬於革命時代的藝術境界。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.title | 黑白的濃度 《小提琴革命曲》 | zh_TW |
| dc.citation.issue | 傳科學生網第七十六期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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