Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 王雅涵 | en_US |
| dc.date.accessioned | 2014-12-11T09:36:22Z | - |
| dc.date.available | 2014-12-11T09:36:22Z | - |
| dc.date.issued | 2011-04-10 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/3096?issueID=125 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/35203 | - |
| dc.description.abstract | 傳統的布袋戲將人物大致分成生旦淨末丑五類，當然電視布袋戲在多年來與時俱進的發展下已不完全遵照原始的角色定位，人物的設計會逐漸超出預定，也不難由此看出時代正在改變的軌跡。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 今非昔比 社會成就戲劇 | zh_TW |
| dc.citation.issue | 喀報第一零三期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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