Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 陳燕珩 | en_US |
| dc.date.accessioned | 2014-12-11T09:37:41Z | - |
| dc.date.available | 2014-12-11T09:37:41Z | - |
| dc.date.issued | 2012-03-11 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/4211?issueID=163 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/35894 | - |
| dc.description.abstract | 在西方流行音樂為主流的現代，不少人嘗試在音樂中加入東方風味，然而在各種中西合璧的元素中，卻始終不見代表台灣的音樂文化。蘇通達在《我身騎白馬》中，將歌仔戲融合電子樂，呈現穿越傳統與後現代間的經典之作。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 樂評 | zh_TW |
| dc.title | 電音歌仔戲 奔騰的白馬 | zh_TW |
| dc.citation.issue | 喀報第一二八期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
Files in This Item:
If it is a zip file, please download the file and unzip it, then open index.html in a browser to view the full text content.
