Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 陳燕珩 | en_US |
| dc.date.accessioned | 2014-12-11T09:37:55Z | - |
| dc.date.available | 2014-12-11T09:37:55Z | - |
| dc.date.issued | 2012-04-22 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/4329?issueID=168 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/36012 | - |
| dc.description.abstract | 八家將是台灣民俗廟宇活動的一部份，要延續這些傳統邊緣文化，除了面臨經濟、世代交替及文化轉型等多面向問題，社會長期以來對家將文化的汙名化，更導致八家將的負面形象始終難以翻轉，成為台灣傳統藝陣發展中的限制。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 將的汙名 來自何方 | zh_TW |
| dc.citation.issue | 喀報第一三三期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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