林思言長笛演奏會 (含輔助文件 : 普羅高菲夫D大調奏鳴曲op.94之演奏詮釋探討)

Abstract

本文以Sergei Prokofiev的Sonata Op.94為探討對象,從文本中來觀察核心與發展的關係。觀察如何利用不同的節奏型改變形成了不同的織度,以及各種節奏型之中的的關聯及所代表的意義有何不同。除了節奏之外,在音域上的變化所形成音樂起伏,在長笛聲部與鋼琴聲部造成的呼應或抗衡,種種不同的素材直接反映出作曲家的想法與設計,也對於詮釋上有更直接的影響,能夠更清楚的表達音樂中的核心與情緒。

In this present essay, the relation between the musical center and its developments will be discussed. The aim is to explore how Prokofiev uses rhythmic changes to make up many kinds of texture, to create balance and competition between the flute and the piano. By identifying the different musical materials, the performer can reflect better the composer’s thoughts, show their direct influences in the interpretation, and eventually produce a convincing performance of this work.