漫 經心--石怡蔚創作自述

Abstract

「漫 經心」的系列創作是使用多元的媒材，特別是生活中隨手可得的現成物，如金屬物，與繪畫材料結合及線材，順著意識與無意識自由交錯，而產生的一系列品。把線材融入創作中與運用「勾織」的方式，和自己身為女性的角色有密切的關係。在創作期間隨手紀錄的零落字句，與生活經驗交錯的片段，勾勒出創作模糊的輪廓—在現實世界裡不斷變動的人事物，與夢境裡重覆的劇情、符號與空間，彷彿隱隱訴說在夢裡能尋找一處永恆的棲息。這樣的體驗也許稍能解釋我像夢般隱晦不明的創作，用指尖的塗抺與不間斷的鐵線來追求自己的永恆。在此論文中，我以兩大主題－「夢境，永恆的場域」與「另一個夢境，旅行者」，進行創作概念的陳述，企圖以兩個空間來詮釋「夢境」與「另一個夢境」，並在兩者之間的來回，處理關於「追尋」的主題。

The series of “Roaming in Wonderland” uses multiple materials, especially from our daily life, such as painting materials and wires. My art making follows my consciousness or unconsciousness. The way I put the lines into my work with knitting and weaving skills is closely related to my being a female. During the period of my art making, the notes I wrote have been woven into the layers of my life experiences. They also outline the indistinct contours of my works – the continuous changes of the real life and the stories. The symbols and spaces that repeatedly occurred in my dream seem to tell me that I can find a place in my dream to stay forever. This experience might be able to explain partially why my works are as indistinct as my dreams. I use my fingers to paint with the unbreakable wires to search for my eternal existence. The two topics in my series: “dreams, the region of forever” and “another dream, traveler” are that main concepts of my series. I move back and forth between “dream” and “another dream” to contemplate on my journey of searching.