吳芸臻小提琴演奏會 含輔助文件 史特拉汶斯基《嬉遊曲》作品分析與詮釋

Abstract

本文論述將共分為三章，第一章簡述作曲家史特拉汶斯基的生平，從史特拉汶斯基的生活背景，與他的音樂創作特色，藉由音樂學家對他所寫的評論及相關書籍，來進一步了解史特拉汶斯基。 第二章為《嬉遊曲》的創作背景，文中將從小提琴與鋼琴版本《嬉遊曲》的創作背景，了解芭蕾舞劇《仙子之吻》（The Fairy’s Kiss, 1928）的故事劇情及作曲背景，以及與柴可夫斯基音樂的相關性，來了解《嬉遊曲》整個創作過程與改編手法，期能對全曲有更完整的認識。 第三章為樂曲分析之演奏詮釋探討，將以第二章所歸納的結論為基礎，從樂曲的結構分析來探討演奏的手法，對於音色變化的處理、片段式的樂句，在演奏詮釋上，如何運用演奏的技法將片段的樂句組織化，且在速度與節奏的快速變換下，能展現此作品的音樂張力，經由本文的分析與探討，對於在演奏樂曲的詮釋上能有更深入的了解。

The thesis will be divided into 3 chapters. In chapter 1, I am going to summarize the biography of Stravinsky from his background, composing characteristics, and from other critics and relative books written by other musicologists. In chapter 2, probing into the story and background of The Fairy's Kiss by Tchaikovsky and its relative music to have a more complete and profound comprehension of Divertimento for violin and piano by Igor Stravinsky. Chapter 3 is all about structure and interpretation. Based on the conclusion of chapter 2, I'll dig in interpretation from structure focusing on discussing tone colors, fragment phrasings, and rapidly changing tempi and rhythms. Finally, this analysis and discussion, for playing music can have on the interpretation of deeper understanding