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dc.contributor.author洪慈顏en_US
dc.contributor.authorHung, Tzu-Yenen_US
dc.contributor.author林慶俊en_US
dc.contributor.authorLin, Ching-Chunen_US
dc.date.accessioned2014-12-12T01:42:45Z-
dc.date.available2014-12-12T01:42:45Z-
dc.date.issued2010en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT079746517en_US
dc.identifier.urihttp://hdl.handle.net/11536/45756-
dc.description.abstract卡爾.瑪利亞.馮.韋伯為德國早期浪漫樂派作曲家之一。除了著名的歌劇作品外,在器樂作品的創作上也具有非凡的成就。1811年,韋伯為當代單簧管演奏家貝爾曼譜寫了幾首經典的單簧管作品,《第一號單簧管協奏曲,作品73》即為其中之一。本論文將透過韋伯之生平簡介,進而了解韋伯音樂的特色及樂曲創作背景。並針對各樂章的曲式結構,包括調性、和聲、速度、動機之運用進行分析。最後根據樂曲結構分析以及有聲資料之版本比較,探討實際演奏上的詮釋,期望能更加貼近作曲家的原創樂思,為實際演奏提供進一步的方向。zh_TW
dc.description.abstractCarl Maria von Weber was one of the composers in early romantic period in Germany. Besides his well-known opera works, his instrumental compositions also display a great significance. In 1811, Weber composed a couple of classic clarinet pieces for the contemporary clarinetist Bärmann, Concerto for Clarinet and Orchestra, op. 73, no. 1 was one of them. This thesis will discuss from Weber’s biography, musical characteristics, and the background which inspired the creation, to the forms, tonality, harmonics, speed, and motive analysis of the composition. At last, to be closer to the original idea of the composer, this study will also explore the performance interpretations by analyzing the structures of this work and comparing different editions of recorded materials. I hope that this study will offer a reference for those who want to play this work.en_US
dc.language.isozh_TWen_US
dc.subject韋伯zh_TW
dc.subject貝爾曼zh_TW
dc.subject單簧管zh_TW
dc.subject《第一號單簧管協奏曲,作品73》zh_TW
dc.subjectWeberen_US
dc.subjectBärmannen_US
dc.subjectClarineten_US
dc.subjectConcerto for Clarinet and Orchestra, op. 73, no. 1en_US
dc.title洪慈顏單簧管演奏會含輔助文件:韋伯第一號單簧管協奏曲作品73之演奏詮釋與探討zh_TW
dc.titleTzu-Yen Hung clarinet recital with a supporting paper an interpretation of Weber's concerto for clarinet and orchestra, op. 73, no. 1en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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