風景─展開的模樣

Abstract

在家中、在街上、在山頭、在海面、在書裡、……，在任何你身處之處，你能「看見」甚麼，那些總和便是一道道風景。

風景不只是地理的──在哪個經緯位置、是甚麼地形；不只是物理的──是怎樣的大小、是甚麼顏色、形狀，不只是透過視網膜看見的。風景還包括了背後所蘊含的故事、文化、政治、……，或者是說風景是有形與無形的現象所交叉影響、作用而來的，風景更是關於人的(群眾、個人、身體)。

在藝術、建築的創作中，我們將可看到，風景的表現手法和如何看、如何思考這個世界（而不單單只有自然）的方式有關。透過每個風景╱地景概念的了解方法，可以得知其中的文化屬性，特別是作者的感官狀態，他的智識，他的慾望，他的恐懼。

這本集合是一個練習，用以整理這段時間留下的痕跡，體現跟自身有關的風景。

At home, on streets, on the mountain, on the sea, in books, …, no matter where you are, you “see” something and those are paysage.

Not only in geography ─ the position of longitude and latitude, and landform; not only in physics ─ size, color, and shape, paysage is not only seen by eyes through the retinas. It also contains the implied history, culture and politics, …. Or it can be said that paysage is developed by tangible and intangible phenomena intersecting. Paysage is even more about human being (the crowd, the individual and body).

In the creation of art and architecture, we can see the way to express the scenery is connected with how to see and how to think about this world (and not only for nature). By way of knowing each paysage and the conception of paysage, we can learn the cultural attribute, especially the author’s sensory condition, his intellect, his desire and his fear.

This collection is a practice. It is for the purpose of arranging the traces which have left behind in this period of time. It is about embodying my own paysage.