蔡侑臻鋼琴演奏會 含輔助文件 拉威爾《高雅而感傷的圓舞曲》結合管弦樂版本探討之演奏詮釋

Abstract

拉威爾的鋼琴作品《高雅而感傷的圓舞曲》，於1912年由作曲家本人改編為管弦樂版本之芭蕾音樂。在管弦樂的色彩特點上，拉威爾充分的發揮每個樂器特質的表現。筆者將探討不同樂器的特性，推敲出在鋼琴上所欲呈現的音色與技巧，並藉由這些比較，輔助彈奏時對音色、觸鍵、踏板方面的考量及運用。

本文分為四個部分：首先，概述拉威爾的音樂風格特色；第二，介紹拉《高雅而感傷的圓舞曲》之寫作背景；第三，透過分析，探討本曲之創作手法；最後，比較鋼琴與管弦樂版本，加以詮釋並探討其素材、配器的運用，以及兩個版本間音樂語法上的差異，進而發展出完整的個人演奏詮釋。

In 1912, Ravel rearraged his Valses nobles et sentimentales from piano to orchestra. He brilliantly utilized the different characteristics of each instrument in his orchestration. The author will discuss the characteristics of the different instruments, and the rendering of timbres and techniques on the piano, in order to assist us in the consideration of color, touch and pedal in the piano version.

There are four main parts in the thesis: first of all, an overview on Ravel's musical style; Secondly, an introduction on the background of Valses nobles et sentimentales; thirdly, an analysis and discussion on this piece; finally, through comparing the different applications, such as the compositional elements, orchestration and musical syntax between the piano and the orchestral versions, the author develops her own interpretation and discusses her thoughts.