吳珮瑄大提琴演奏會 含輔助文件 動亂中的冷笑：蕭士塔高維契第一號大提琴協奏曲之詮釋與演奏探討

Abstract

摘要 降E大調第一號大提琴協奏曲創作於1959年，正值史達林去世後，文化逐漸脫離政府掌控的解凍期。然而，從調性的設計、管絃樂團配器的選擇、樂章的安排，看到蕭士塔高維契在古典的曲式之下，仍然使用一貫隱晦的音樂語彙：強烈的節奏感有著戰爭的影子，獨奏大提琴的泛音營造出蒼涼的音響、不協和的音程則帶來冷冽畫面，透過獨奏大提琴和樂團，表現出滑稽的進行曲樣貌。 另外，蕭氏身處於極權統治下以黨為大的共產社會，卻使用個人的姓名縮寫作為本曲的主要動機，其中獨奏大提琴與法國號、鋼片琴、定音鼓，又時而抗衡、時而對話，在在反映出作曲家對主體性與人際關係的渴望以及矛盾之情。

Abstract Shostakovich's First Cello Concerto in E-flat major was composed in 1959, a period of thaw just after the death of Stalin, when cultural life was slowly getting out of government control. However, from the key setting, the orchestration, the structure of this piece, we can still be affected by the veiled music language consistently used by Shostakovich in his works within the classical form. For examples, the strong rhythm reflects the shadow of war, the solo cello’s harmonic creates a bleak sound, dissonant intervals depicts piercing coldness, and the solo cello and orchestra shows the appearance of a comic march.In addition, Shostakovich was living in a communist society under totalitarian rule, but still used his personal monogram as motif in this concerto. Solo cello, french horn, glockenspiel and timpani, sometimes compete with each other, sometimes converse with each other, reflecting the composer's troubled desire for subjectivity and interpersonal relations.