黃菁華大提琴演奏會(含輔助文件：法朗克：A大調大提琴奏鳴曲—動機發展與其演奏之詮釋探討)

Abstract

本文以法朗克的A大調大提琴奏鳴曲來分析，透過法朗克的生平及創作背景，進一步了解其在《A大調大提琴奏鳴曲》中的創作手法特色，及討論此首作品與傳統古典奏鳴曲式的關聯性，並且深入分析曲中的素材如何使用調性及動機的展開作變化，進而探討素材變化所造成的音樂張力及所表達出的不同音樂境界，此外，針對整曲的演奏詮釋，也在此文中一一的來探討。

This thesis is focused on the Cello Sonata in A major by César Franck. The discussion firstly traces the historical backgrounds of the composition, with an aim to understand better its idioms, styles and characters. In addition, a comparison between the Classical sonata form and the one applied in this cello sonata will be made. Other analyses will include the development of different materials and the musical expressions thus produced, as well as some interpretative thoughts on performance.