標題: 林怡妏小提琴演奏會含輔助文件 布洛赫《巴申組曲》之分析與詮釋
I-WEN LIN VIOLIN RECITAL WITH A SUPPORTING PAPER BLOCH' S BAAL SHEM SUITE: ANALYSIS AND INTERPRETATION
作者: 林怡妏
Lin, I-Wen
李俊穎
Lee, Juin-Ying
音樂研究所
關鍵字: 布洛赫;巴申組曲;猶太作曲家;哈西德教派;Ernest Bloch;Baal Shem Suite;jewish composer;hasidism
公開日期: 2011
摘要: 本文為分析與詮釋布洛赫1923年完成的《巴申組曲》,由於此曲副標題為”三幅哈西德教徒的生活情景”,故藉由了解哈西德主義,來輔助《巴申組曲》的詮釋。先簡述布洛赫的生平,並歸納其創作風格之演變。再闡述哈西德教派的發展歷史;最後分析《巴申組曲》,並藉由分析的結果以求得合理的詮釋方式。筆者希冀透過本文的分析與探討,能夠完整傳達作曲家的創作想法,並尋找最貼切樂曲之演奏方式。
The research subject of this thesis is Baal Shem Suite which was written in 1923 by Ernest Bloch. Since the subtitle of this suite is “Three Pictures of Chassidic Life,” understanding Hasidism is a necessary process to help performers to interpret Baal Shem Suite. The writer will introduce Bloch’s life in the beginning of the thesis, and explain how he changed his compositional styles. Secondly, the thesis will clarify the development of Hasidism history. Last but not least, the writer will analyze Baal Shem Suite and have a reasonable interpretation style for this work. The writer expects the thesis can convey composer’s compositional ideas and helps performers to find the best way to play this work.
URI: http://140.113.39.130/cdrfb3/record/nctu/#GT079846515
http://hdl.handle.net/11536/48160
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