完整後設資料紀錄
DC 欄位語言
dc.contributor.author林怡妏en_US
dc.contributor.authorLin, I-Wenen_US
dc.contributor.author李俊穎en_US
dc.contributor.authorLee, Juin-Yingen_US
dc.date.accessioned2014-12-12T01:51:39Z-
dc.date.available2014-12-12T01:51:39Z-
dc.date.issued2011en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT079846515en_US
dc.identifier.urihttp://hdl.handle.net/11536/48160-
dc.description.abstract本文為分析與詮釋布洛赫1923年完成的《巴申組曲》,由於此曲副標題為”三幅哈西德教徒的生活情景”,故藉由了解哈西德主義,來輔助《巴申組曲》的詮釋。先簡述布洛赫的生平,並歸納其創作風格之演變。再闡述哈西德教派的發展歷史;最後分析《巴申組曲》,並藉由分析的結果以求得合理的詮釋方式。筆者希冀透過本文的分析與探討,能夠完整傳達作曲家的創作想法,並尋找最貼切樂曲之演奏方式。zh_TW
dc.description.abstractThe research subject of this thesis is Baal Shem Suite which was written in 1923 by Ernest Bloch. Since the subtitle of this suite is “Three Pictures of Chassidic Life,” understanding Hasidism is a necessary process to help performers to interpret Baal Shem Suite. The writer will introduce Bloch’s life in the beginning of the thesis, and explain how he changed his compositional styles. Secondly, the thesis will clarify the development of Hasidism history. Last but not least, the writer will analyze Baal Shem Suite and have a reasonable interpretation style for this work. The writer expects the thesis can convey composer’s compositional ideas and helps performers to find the best way to play this work.en_US
dc.language.isozh_TWen_US
dc.subject布洛赫zh_TW
dc.subject巴申組曲zh_TW
dc.subject猶太作曲家zh_TW
dc.subject哈西德教派zh_TW
dc.subjectErnest Blochen_US
dc.subjectBaal Shem Suiteen_US
dc.subjectjewish composeren_US
dc.subjecthasidismen_US
dc.title林怡妏小提琴演奏會含輔助文件 布洛赫《巴申組曲》之分析與詮釋zh_TW
dc.titleI-WEN LIN VIOLIN RECITAL WITH A SUPPORTING PAPER BLOCH' S BAAL SHEM SUITE: ANALYSIS AND INTERPRETATIONen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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