余琬婷小提琴演奏會含輔助文件薩拉沙泰《西班牙舞曲》作品22之樂曲分析與詮釋

Abstract

1844年於西班牙出生的薩拉沙泰，在小提琴表演舞台上留下耀眼的星光。經巴黎音樂學院薰陶之後的薩氏展開了旅人般的巡演生涯。薩氏的巡演曲目改編自當時紅極一時的歌劇，也有許多是薩氏摘取故鄉的民謠旋律創作而成。1878至1882年年間，薩氏創作了八首《西班牙舞曲》，無論是旋律素材、節奏特色，或是對器樂的模仿，都極度融合了西班牙地方舞蹈色彩，可說他的作品相較於他的舞台魅力，毫不遜色；他使用小提琴的語彙，讓這些曲目在現今的表演舞台上依然是炙手可熱的曲目。 筆者對薩拉沙泰的《西班牙舞曲》作品22中的Romanza Andaluza以及Jota Navarra分別進行分析與詮釋，期盼透過研究幫助演奏者適切地詮釋樂曲，亦希望能讓此作品受到更多愛樂者的喜愛。本文將從薩氏的生平出發，並藉由文獻記載來了解薩氏的演奏特色以及演奏技巧；再由作曲家如何受時代背景的影響而創作出作品22，並研究兩首樂曲之特色；最後分析兩首樂曲之結構並對兩首樂曲提出筆者之個人詮釋。

Born in Pamplona, Spain, Sarasate was one of the most admired violinists among his age. After finishing his studies in Paris, he toured the world. Many of his tour repertoires were arrangements of tunes from famous operas. The best known among them was his Concert Fantasies on Carmen, and some came from his homeland melody. His four books of Spanish dances which makes use of folk tunes, rhythmic pattern and imitation to the traditional instruments elegantly. Sarasate successfully recreated and transformed these Spanish dances into violin compositions with innovative violin techniques. Through his compositions, all these works remains popular until today’s violin playing repertoire. In my study, I have researched Sarasate’s work op.22: Romanza Andaluza and Jota Navarra. The intended result of this study is to help the performer give an stylistically accurate and informed performance of these dazzling piece and to let the piece be loved by more audience. First, I will discuss Sarasate’s performance style based on the contemporary critics such as Carl Flesch and others, and then explore the compositional historical background and the characteristics of each piece. In the end, I will give my personal interpretation on the performance aspects through the analysis of music structure.