楊佳珍雙簧管演奏會 含輔助文件：波札《雙簧管奏鳴曲》之作品分析與詮釋

Abstract

摘要

尤金．波札（Eugène Bozza, 1905-1991）是二十世紀法國的作曲家、指揮家和教育家。他的音樂沿襲了法國音樂的繽紛色彩，來自義大利的家庭背景也為他的音樂增添華麗的歌劇性元素。波札的作品除了許多管弦樂作品、芭蕾舞劇、歌劇作品之外，也寫下了許多為管樂器所創作的室內樂、演奏曲與練習曲，對於木管樂器的演奏技法有非常深遠的影響力。 此首《雙簧管奏鳴曲》（Oboe Sonata）創作於1971年，在面對二十世紀中期以後新音樂的衝擊，仍然堅持一貫以旋律性為主的作品風格，並將傳統的語彙融合在現代的音樂語法中。 本文主旨在於透過了解作曲家的生平背景，並藉由分析此首樂曲內容與詮釋的方式中，來探討作曲家所賦予樂曲的真正意涵，在演奏時，能更貼近作曲家的原意。全文共分為五個章節：第一章為緒論，說明本論文的研究動機及研究方法；第二章簡述作曲家的生平及創作手法與特色；第三章為樂曲分析；第四章以前兩章之研究為依據，進一步作演奏詮釋；第五章將整理雙簧管分譜與鋼琴譜間的差異性，以第三章的樂曲分析作為判別的依據；第六章為結論。

Abstract

Eugène Bozza（1905-1991）is an outstanding French composer, conductor and educator in 20th century. His music is inheritance of the colorful French music, as from Italy's family background his music also include some gorgeous opera elements. And Bozza had large number of works, especially for woodwinds. The Oboe Sonata Composed in 1971. To confront the crash of New Music in the middle 20th century, Bozza insisted on his style that mainly paid much attention to the melody. And his composing style mixed the classical forms and modern elements. The purpose of this thesis is to generalize Bozza’s music style by understanding the composer’s background, analyzing the formal structure of this work, and to be closer to the original idea of the composer. Five chapters are included in this research. Chapter one is introduction to account for studying consideration, content and way. Chapter two is studying for Bozza’s life and compositional form. Chapter three focus on this work’s musical analysis. Chapter four based on the previous two chapters is consisted of the interpretation of the work’s performance. Chapter five is the comparison between the other sub-spectrum Oboe and Piano spectral. Chapter six is the conclusions.