場域建築

Abstract

藉由兩年研究所教育中，企圖發展出有特色的建築空間，並從新思考建築設計的目的為何?建築改變原有的場域並創造出新的場域氛圍，是我論述的方向。藉由基地分析提出基地原有空間場域的負面狀態，而我的建築手法與目的，就是企圖改變這樣負面狀態的空間場域，創造另一種空間氛圍的空間場域。

在最後遺址(Final Ruins)中，設想未來因為人為的無知破壞，造成地球的反撲，人類因此滅亡遭受末日，而未來重生的另一個文明，能在地下挖掘出珍本圖書(代表著我們文化最精華的智慧)，建築的場域變成連結不同時空背景的作用關係。因此案無特定基地條件，所以企圖用不同時空上的連結來強調建築的空間場域變異。由現況是珍本圖書館負責珍藏保存最珍貴的圖書，而未知的未來中當建築被破壞殆盡時，原有的建築場域變成遺址狀態，負責傳遞信息給下個文明。

在落難神祇(Abandoned Deity)中，論述都市被河堤切割的狀態，且造成都市內人與自然的隔離，在這樣的狀態下，置入被賭徒丟入河流裡的廢棄神像，企圖利用神像背後的意義扭轉切割的狀態，並改變河堤內外的場域關係，河堤外祭祀的活動因此被帶入，河堤內都市中的廟宇信仰脈絡跟過去的發展紋理跟軸向，因此被隱喻的連結起來，而節氣正是代表整個信仰祭祀的操作規則，讓河堤不僅是抵禦自然的反抗，而能有另一種尊從自然的隱喻關係。

在療癒氛圍(Healing Atmosphere)中，被論述的病態現代生活跟都市環境中，提供一個異質的空間場域，靜謐的氛圍異於紛擾的外界，讓人可以療癒身心靈，沉澱心思。

在互動牆體(Interactive Wall)中，藉由捕捉人體的動作，而改變形體跟開口面積的機構，來改變牆體所存在的場域中的光線、視線、跟人流之間的關係。

四個案子依大至小由遠至近排序，從最虛幻的時空關係的連結、到河堤切割狀態的扭轉、再到台北都市的異質空間、最後為真實實體一比一尺度。而這四個案子都思考著，如何藉由建築來改變原有的場域關係，進而創造出一種新的場域景觀，可以是巨大的也可以是微小的尺度。

In the past 2 years of my research in master program, I strived for any methods to design space with distinctive character, and searched for the essence of architectural design. According to the analysis of site，proposed adverse state of the original place. Therefore, my method and goal that it's change adverse state to valuable state, and create a new spatial atmosphere.

First, in the project of “Abandoned Statue”, a city is cut by the river levee which isolates residents from nature. To solve this situation, insert a statue as an object to change the relationship of the fields both inside and outside the river levee. Therefore, ritual activities are brought in from outside, which links to the context and orientation of the religion inside the city. Ritual activities also relates to the solar terms, so that the river levee is no longer the defense to the nature, but shows its respect to the nature metaphorically.

Secondly, in the project of “Final Ruins”, imagine that the earth is ruined by human, which terminates the human existence forever as a result. However, the following new born creatures discover the books under the ground, which represent the high civilization of human. Therefore, the field of architecture acts as the linkage between different time zones and backgrounds.

In the third project of “Healing Atmosphere”, a heterogeneous space is designed for the abnormal modern life and urban environment, and its reverent and silent atmosphere differs from the crowdedness and noise outside, so that people can have true healing for mind, body and spirit.

Moreover, in the project of “Interactive wall”, the form and the opening of the wall are controlled by the human movement. Therefore, the relationship of light, line of sight and human flow is redefined in the field where the interactive wall is installed.

From the 4 projects mentioned above, how to make architecture a key role to redefine and change the relationship of the field is the major concern of my design.