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dc.contributor.author湯茜如en_US
dc.contributor.authorChian-Ru Tangen_US
dc.contributor.author施仁忠en_US
dc.contributor.authorZen-Chung Shihen_US
dc.date.accessioned2014-12-12T02:04:12Z-
dc.date.available2014-12-12T02:04:12Z-
dc.date.issued2003en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009123524en_US
dc.identifier.urihttp://hdl.handle.net/11536/52780-
dc.description.abstract水墨畫是一門歷史悠久的中國傳統藝術。在盛唐時期,除了人物山水已達到極高的境界之外,花鳥走獸畫亦日漸形成獨立的風格。一直到清代中葉,義大利人郎世寧東來,將西方寫生的技法,與中國繪畫主題與意境相融合,呈現出不同於歷代宮廷繪畫與文人繪畫民間繪畫的新穎面貌。在本篇論文中,我們提出一個模擬與合成動物走獸畫的方法。經由一張動物的照片,運用影像處理之技術,模擬出打底的用色,以及分析動物毛髮的方向,以材質貼圖的方式產生刷毛的效果。如此,使用者便能容易地利用現有的動物圖片,不需知悉繁複的水墨畫技巧,在短時間之內描繪出其所欲之中國走獸畫風格。zh_TW
dc.description.abstractThe Chinese ink painting is a traditional art which has a long history. In Tang Dynasty, in addition to figures and landscapes paintings which have already reached the extremely high realm, flowers, birds and animals also formed the individual style of drawing. In the middle period of Qing Dynasty, Lang Shining brought his skill of European painting and blended it with Chinese subjects and themes. His works presented different and novel appearance from others in the past. In this thesis, we propose a method to synthesize the Chinese ink paintings on animals. Via the photo of an animal, our techniques rely on image processing and image analysis, and generate wash diffusion and animal hairs with textures. Therefore, users may create the desired painting style with ease even if he is not familiar with the painting skills.en_US
dc.language.isoen_USen_US
dc.subject中國水墨畫zh_TW
dc.subject電腦圖學zh_TW
dc.subject非真實照片式繪圖zh_TW
dc.subjectChinese Ink Paintingen_US
dc.subjectComputer Graphicsen_US
dc.subjectNon-Photorealistic Renderingen_US
dc.title水墨工筆畫走獸之合成zh_TW
dc.titleThe Synthesis of Chinese Fine-Brushwork Painting on Animalsen_US
dc.typeThesisen_US
dc.contributor.department資訊科學與工程研究所zh_TW
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