吳慈菁畢業演奏會

Abstract

此專題與個人演奏會碩士演奏文憑所要求事項。音樂會曲目包括：1.巴哈 ， c小調觸技曲，作品 911，2. 布拉姆斯 ，三首間奏曲，作品117，3. 舒曼 ，樂園圖畫 (為鋼琴及中提琴)，作品113，4. 梅湘，鳥誌 之四— 「石即鳥」， 5. 史克里亞賓，第三號f﹟小調鋼琴奏鳴曲作品23 ( 以 上曲目已在八十六年五月三十一日於國立交通大學演藝廳演出，而這場實 況錄音將與此專題研討一併附上)，而專題研討以音樂會其中之「石即鳥 」 ( 梅湘 鳥誌 之四) 為對象，作分析及演奏詮釋探討。文章內容著重 材料與演奏及詮釋的聯結，共分為四個章節：第一章背景，第二章材料╱ 結構形式，第三章 從〝了解〞到〝演奏的詮釋〞，第四章總論。 The monograph is part of the request from the graduating piano-major student of Institute of Applied Arts of NCTU in addition to a piano recital . The program of the graduation recital includes : 1. Bach , Johann Sebastian , Toccata in c minor , BWV911 , 2. Brahms , Johannes , three intermezzos , op.117 , 3. Schumann , Robert , Picture from Fairyland ( for Piano and Viola ) , op.113 , 4. Massiaen , Olivier , Le Traquet Stapazin (The Fourth piece of The monograph is focused on Olivier Massiaen's compisition — “ Le Traquet Stapazin ”( the fourth of Catalogue D'oiseauex ) , which is one of the repertoire performed in the piano recital . The purpose of the study is to find out the idea behind the sonority and furthermore make alliance between the analysis and the interpretation of the performance . The reseach consists of four parts : 1) Backgroud Study , 2) Material╱Structure╱Form , 3) From understanding to interpretation , 4) Conclusion .