《絃樂四重奏1998》創作理念—音樂之驅動力

Abstract

本論文包括兩個部份，一為《絃樂四重奏1998》樂曲寫作，另一為這首作品的創作理念、寫作方法與理論基礎等文字陳述。 樂曲部份是一標準編制的絃樂四重奏。全曲以一類似奏鳴曲式的形式寫成，描述筆者在數個與生活經驗息息相關的夢境中，所表現的內容與情感。 文字陳述部份則分為五章：第一章是介紹《絃樂四重奏1998》的創作動機，並解釋寫作此曲時所依據的相關讀譜與分析經驗，以及對研究方法的陳述。第二章則舉例分項探討驅動力在樂曲中所展現的面相。第三章則分析驅動力的特性，對整體研究作一個整理。第四章詳細說明《絃樂四重奏1998》的創作動機、結構形式，以及探討各面相驅動力在本曲中的作用。第五章則將全文作一總結，驅動力是由預期所產生的，它是一種能量的形式，並具有階層結構。

The Thesis included two parts, one is the composition of String Quartet 1998 the other is the theoretical approach about composing this piece. String Quartet 1998 is written in a sonata form. It tells the story of three dreams, which have much reference of the composer's life in 1998, and describes the content and feelings of those dreams. There were five chapters in this thesis. Chapter 1 introduced the motive why I wrote String Quartet 1998 and told the related score reading and analyzing experiences. Also the whole study procedure was shown in this one. Chapter 2 showed the examples of the driving force with different parameters. Chapter 3 analyzed the characters of the driving force of music. In chapter 4, the detail motive of composing this piece and the functions of the different driving forces was explained. Chapter 5 is the conclusion of the thesis. The driving force of music is a kind of energy and it has hierarchical structure.