Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 游筱娟 | en_US |
dc.contributor.author | Yu, Hsiao-Juan | en_US |
dc.contributor.author | 徐伯年 | en_US |
dc.contributor.author | Hsu, Bo-Nian | en_US |
dc.date.accessioned | 2014-12-12T02:24:55Z | - |
dc.date.available | 2014-12-12T02:24:55Z | - |
dc.date.issued | 2000 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#NT890248001 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/66746 | - |
dc.description.abstract | 喬治 阿貝爾吉斯《歪詩》之演奏探討與樂曲解說 由音樂戲劇切入, 研究音樂戲劇的背景,介紹作曲家喬治 阿貝爾吉斯的生平及其作品特色……等,進而探討《歪詩》這首曲子,由樂器、記譜、燈光以及演奏來逐一探討。 | zh_TW |
dc.description.abstract | Analysis and Interpretation on Georges Aperghis : 《Graffitis》 introduce the background of music theater as well as the life and work’s characteristics of the composer - Georges Aperghis, so as to explore “Graffitis”. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 打擊樂 | zh_TW |
dc.subject | 喬治 阿貝爾吉斯 | zh_TW |
dc.subject | 歪詩 | zh_TW |
dc.subject | 音樂劇場 | zh_TW |
dc.subject | percussion | en_US |
dc.subject | Georges Aperghis | en_US |
dc.subject | Graffitis | en_US |
dc.subject | music theater | en_US |
dc.title | 游筱娟擊樂演奏會(含輔助文件:喬治 阿貝爾吉斯<歪詩>之演奏探討與樂曲解說) | zh_TW |
dc.title | Paper: Analysis and Interpretation on Georges Aperghis:<Graffitis>) | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
Appears in Collections: | Thesis |