Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 李宜樺 | en_US |
dc.contributor.author | Yi-hua Li | en_US |
dc.contributor.author | 辛幸純 | en_US |
dc.contributor.author | Dr. Hsing-Chwen Hsin | en_US |
dc.date.accessioned | 2014-12-12T02:27:33Z | - |
dc.date.available | 2014-12-12T02:27:33Z | - |
dc.date.issued | 2001 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#NT900248004 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/68377 | - |
dc.description.abstract | 這篇文件主要是針對舒曼作品17第一樂章作深入的觀察,並整理出樂章中所呈現的一致性關係結構。進而由材料著手了解其本身的表情意涵與在樂章中的延展變化,更進一步探討段落間表情的轉化。以此由淺入深的觀察盼能一窺此樂章一致性關係結構下的表情開展。最後藉由文本外的文字與情感積澱所引發的聯想,以及文本本身材料在樂章中所具備的角色與意涵作情感上的呼應,盼能藉此更貼近樂曲所要展露的表情世界。 | zh_TW |
dc.description.abstract | The Unfolding Expressive Content of Thematic Unity in the First Movement of Schumann’s Fantaise, Op.17 | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 舒曼 | zh_TW |
dc.subject | 幻想曲 | zh_TW |
dc.subject | Schumann | en_US |
dc.subject | Fantaise | en_US |
dc.title | 探討舒曼幻想曲作品17第一樂章結構中一致性關係的表情開展 | zh_TW |
dc.title | The Unfolding Expressive Content of Thematic Unity in the First Movement of Schumann’s Fantaise, Op.17 | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
Appears in Collections: | Thesis |