賴立文大提琴演奏會含輔助文件舒曼《慢板與快板》之演奏技巧與詮釋探討

Abstract

本文以舒曼的慢板與快板作為研究範圍，研究將以四個面向為主：作曲家生平、作品分析、詮釋的手法、演奏上之建議與提醒。希望此研究可幫助演奏者，了解舒曼之個人音樂語言以及其所欲傳達的意念，尋求此曲合適的詮釋手法。

This essay is focused on schumann’s Adagio and Allegro. This paper will introduce the composer’s life, analysis of the musical piece, the appropriate ways of interpretation, and some technical recommendations.In particular, this paper shows his struggle to establish a personal musical style and demonstrates his remarkable craftsmanship, accompanyied with a detailed analysis of the stylistic practice and musical structure.