賴立文大提琴演奏會含輔助文件舒曼《慢板與快板》之演奏技巧與詮釋探討

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DC Field	Value	Language
dc.contributor.author	賴立文	en_US
dc.contributor.author	Lai, Li-Wen	en_US
dc.contributor.author	顧美瑜	en_US
dc.contributor.author	Ku, Mei-Yu	en_US
dc.date.accessioned	2014-12-12T01:25:59Z	-
dc.date.available	2014-12-12T01:25:59Z	-
dc.date.issued	2009	en_US
dc.identifier.uri	http://140.113.39.130/cdrfb3/record/nctu/#GT079546509	en_US
dc.identifier.uri	http://hdl.handle.net/11536/41381	-
dc.description.abstract	本文以舒曼的慢板與快板作為研究範圍，研究將以四個面向為主：作曲家生平、作品分析、詮釋的手法、演奏上之建議與提醒。希望此研究可幫助演奏者，了解舒曼之個人音樂語言以及其所欲傳達的意念，尋求此曲合適的詮釋手法。	zh_TW
dc.description.abstract	This essay is focused on schumann’s Adagio and Allegro. This paper will introduce the composer’s life, analysis of the musical piece, the appropriate ways of interpretation, and some technical recommendations.In particular, this paper shows his struggle to establish a personal musical style and demonstrates his remarkable craftsmanship, accompanyied with a detailed analysis of the stylistic practice and musical structure.	en_US
dc.language.iso	zh_TW	en_US
dc.subject	舒曼	zh_TW
dc.subject	慢板與快板	zh_TW
dc.subject	Schumann	en_US
dc.subject	Adagio and Allegro	en_US
dc.title	賴立文大提琴演奏會含輔助文件舒曼《慢板與快板》之演奏技巧與詮釋探討	zh_TW
dc.title	Li-Wen Lai Cello Recital with a supporting paper The Performing Technique and Interpretation on Schumann's Adagio and Allegro	en_US
dc.type	Thesis	en_US
dc.contributor.department	音樂研究所	zh_TW
Appears in Collections:	Thesis

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