管弦樂曲“歷史的記憶”及其創作理念

Abstract

本論文包括兩個部份：第一部份為管絃樂曲《歷史的記憶》，第二部份為說明此曲創作理念、美學基礎、寫作方法等的文字陳述。 《歷史的記憶》是一首為三管編制的樂團而寫的管絃樂曲，是作者藉由撰寫此論文的機會，將實際的創作行為與個人生命情懷作一深入連結的一種嘗試；又因作者所關注的焦點在於「重構個人/群體歷史記憶之議題」，因而命名之。全曲依循作者重構歷史記憶的軌跡，於後殖民文學範疇中的「重建歷史記憶」出發，並據以為此曲之創作初衷；文字陳述之部份，則具體地從創作方向的探索、確立中，回過頭來反思整個創作過程中主體自我意識的重構價值，以「完成」雙向（創作↔論文）、不斷循環的「有意識」之創作行為。 文字陳述將分為六部份：緒論；說明此曲之創作動機。第一章為說明創作主體進行自我意識重構的意義。第二章為創作方向的探索與確立，將從歷史觀的角度評析後殖民文學及現代音樂的書寫策略。第三章是為此曲跨領域的創作動機作理論性的說明，將涉及音樂中具有他律性聯想的音樂符碼研究以及音樂與文學這兩種不同文類符號轉換的可能性。第四章為落實創作理念於樂曲的寫作設計。後記則為本論文詮釋性的研究結果作一總結。

This thesis is consisted of two parts：one is the orchestral composition“The Memory of History”, and the other is the statement of all the compositional ideas, aesthetics, and methods in this work. “The Memory of History” a composition for a triple-wind orchestra, is about reconstructing the memory of individual and group. It is also an attempt to establish a connection between composition and personal feeling. The concept of this piece is based on the original intention of reconstructing the memory of history that also could be found in post-colonial literature. As for the statement, it is to ruminate about the reconstructed self-consciousness during the process of composing this work through the exploration of my own creative intention in order to consciously “accomplish” the two-way and circulating nature of creativity. The statement in this thesis is divided into six chapters. Introduction is about explaining compositional ideas. Chapter I is to illustrate the importance of reconstructing the self-consciousness. Chapter II is to explore and specify the creative tendency, and to evaluate the writing method of Taiwan post-colonial literature and modern music through a historical point of view. Chapter III is to make a theoretical statement about the cross-field compositional ideas, which will involve the study of musical codification associated with context and the possibility of transformation between musical codes and literary codes. Chapter IV is to illustrate the realization of the musical ideas. And the afterword is the final conclusion for the interpretive research.