完整後設資料紀錄
DC 欄位語言
dc.contributor.author林家瑜en_US
dc.contributor.authorChia-Yu Linen_US
dc.contributor.author劉姝嫥en_US
dc.contributor.author王真儀en_US
dc.contributor.authorProfessor Chu-Chuan Liuen_US
dc.contributor.authorDr. Jen-yi Wangen_US
dc.date.accessioned2014-12-12T02:30:06Z-
dc.date.available2014-12-12T02:30:06Z-
dc.date.issued2002en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#NT910248014en_US
dc.identifier.urihttp://hdl.handle.net/11536/70016-
dc.description.abstract本文內容將以舒伯特(Franz Schubert)創作此樂曲的歷史背景以及其創作手法做為本詮釋探討的背景資料。並以當時的樂器—琶音琴(Arpeggione)的深入探討做為文章的輔助資料,與現代大提琴之間作一相互比較。希望讀者透過本文樂曲分析以及對兩者樂器同異處之了解,可以欣賞由現代大提琴詮釋演出此樂曲時不同的旋律韻味。zh_TW
dc.description.abstractThis is an article on Schubert’s Sonata in A minor, Arpeggione. The discussion covers the historical background of the composer, Frank Schubert, and the development and decline of the instrument—Arpeggione. By analizing the music, the author aims to thoroughly understand the entire work and, as a result, to better interpret this piece. It is hoped that after reading this article the readers will gain more understanding on this work.en_US
dc.language.isozh_TWen_US
dc.subject舒伯特zh_TW
dc.subject琶音奏鳴曲zh_TW
dc.subject大提琴zh_TW
dc.subjectSchuberten_US
dc.subjectArpeggioneen_US
dc.subjectVioloncelloen_US
dc.title從琶音琴到大提琴--藉由舒伯特琶音奏鳴曲詮釋探討之zh_TW
dc.titleFrom Arpeggione to Violoncello -- a Performance Critique on Schubert's Sonata "Arpeggione"en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
顯示於類別:畢業論文