完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.author | 林家瑜 | en_US |
dc.contributor.author | Chia-Yu Lin | en_US |
dc.contributor.author | 劉姝嫥 | en_US |
dc.contributor.author | 王真儀 | en_US |
dc.contributor.author | Professor Chu-Chuan Liu | en_US |
dc.contributor.author | Dr. Jen-yi Wang | en_US |
dc.date.accessioned | 2014-12-12T02:30:06Z | - |
dc.date.available | 2014-12-12T02:30:06Z | - |
dc.date.issued | 2002 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#NT910248014 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/70016 | - |
dc.description.abstract | 本文內容將以舒伯特(Franz Schubert)創作此樂曲的歷史背景以及其創作手法做為本詮釋探討的背景資料。並以當時的樂器—琶音琴(Arpeggione)的深入探討做為文章的輔助資料,與現代大提琴之間作一相互比較。希望讀者透過本文樂曲分析以及對兩者樂器同異處之了解,可以欣賞由現代大提琴詮釋演出此樂曲時不同的旋律韻味。 | zh_TW |
dc.description.abstract | This is an article on Schubert’s Sonata in A minor, Arpeggione. The discussion covers the historical background of the composer, Frank Schubert, and the development and decline of the instrument—Arpeggione. By analizing the music, the author aims to thoroughly understand the entire work and, as a result, to better interpret this piece. It is hoped that after reading this article the readers will gain more understanding on this work. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 舒伯特 | zh_TW |
dc.subject | 琶音奏鳴曲 | zh_TW |
dc.subject | 大提琴 | zh_TW |
dc.subject | Schubert | en_US |
dc.subject | Arpeggione | en_US |
dc.subject | Violoncello | en_US |
dc.title | 從琶音琴到大提琴--藉由舒伯特琶音奏鳴曲詮釋探討之 | zh_TW |
dc.title | From Arpeggione to Violoncello -- a Performance Critique on Schubert's Sonata "Arpeggione" | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
顯示於類別: | 畢業論文 |