完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.author | 蔡其芬 | en_US |
dc.contributor.author | 蔣茉莉 | en_US |
dc.date.accessioned | 2014-12-12T02:30:07Z | - |
dc.date.available | 2014-12-12T02:30:07Z | - |
dc.date.issued | 2002 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#NT910248016 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/70018 | - |
dc.description.abstract | 這篇文件主要是探討浦羅高菲夫第九號鋼琴奏鳴曲之創作手法。先藉由對作曲者早期的創作技巧之認識到晚期的創作風格之理解,來探討晚期作品-第九號的音樂創作技巧。並且從不同面向來探討張力之形成,並以實際的演奏技巧詮釋作曲家之音樂風格。 | zh_TW |
dc.description.abstract | In this paper, I will first examine the writing changes that had been occurred in the different stages of the composer’s career. I will later investigate the compositional devices that Prokofiev had employed in his last Piano Sonata. I hope by discovering Prokofiev’s intentions through his various writing skills and structural organizations will enhance my interpretation of this work. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 浦羅高菲夫 | zh_TW |
dc.title | 傳統與變革 -- 浦羅高菲夫第九號鋼琴奏鳴曲之詮釋探討 | zh_TW |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
顯示於類別: | 畢業論文 |