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dc.contributor.author蔡其芬en_US
dc.contributor.author蔣茉莉en_US
dc.date.accessioned2014-12-12T02:30:07Z-
dc.date.available2014-12-12T02:30:07Z-
dc.date.issued2002en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#NT910248016en_US
dc.identifier.urihttp://hdl.handle.net/11536/70018-
dc.description.abstract這篇文件主要是探討浦羅高菲夫第九號鋼琴奏鳴曲之創作手法。先藉由對作曲者早期的創作技巧之認識到晚期的創作風格之理解,來探討晚期作品-第九號的音樂創作技巧。並且從不同面向來探討張力之形成,並以實際的演奏技巧詮釋作曲家之音樂風格。zh_TW
dc.description.abstractIn this paper, I will first examine the writing changes that had been occurred in the different stages of the composer’s career. I will later investigate the compositional devices that Prokofiev had employed in his last Piano Sonata. I hope by discovering Prokofiev’s intentions through his various writing skills and structural organizations will enhance my interpretation of this work.en_US
dc.language.isozh_TWen_US
dc.subject浦羅高菲夫zh_TW
dc.title傳統與變革 -- 浦羅高菲夫第九號鋼琴奏鳴曲之詮釋探討zh_TW
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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