劉力溪鋼琴獨奏會含輔助文件阿爾班尼士《伊貝利亞》第二冊三首作品之演奏詮釋探討

Abstract

本文以演奏─阿爾班尼士《伊貝利亞》第二冊三首作品─的角度為出發點，由廣至微，首先探究文本豐富音樂內涵的背後所蘊藏的西班牙民俗音樂元素，以瞭解西班牙音樂的精髓─佛朗明哥的發展與音樂特色，作為詮釋此作品時的參考依據；接著探究作曲家的音樂背景及其鋼琴作品不同時期的演進，使演奏者對其巔峰之作—《伊貝利亞》的脈絡有跡可尋；樂曲分析涵蓋了三首作品之間的關聯性與共通性，並詳細探討阿爾班尼士如何運用西班牙民俗音樂素材，及其作曲手法；演奏詮釋探討則以速度、織度、句法與運音、力度、表情與聲響等面向提出筆者在詮釋時的想法。

From the point of view while playing three pieces of Albeniz Iberia Book II, from general to specific, this thesis first explores Spanish folk music elements behind the rich content of the text in order to reveal the essence of Spanish music—the development and musical feature of flamenco, which is the foundation to interpret the work. Investigating the musical background and different phases of the composer as the following agenda makes the context of Iberia traceable to the players. Musical analysis includes the relevance and commonality among the three pieces and discusses how Albeniz utilized Spanish folk music elements and how he composed in details. Performance Practice talks about the author’s own observation on aspects of tempo, texture, phrasing, articulation, dynamics and sonority.