林宜儀長笛演奏會(含輔助文件:從早期作品與考試曲目的藝術價值論度悌尤的長笛小奏鳴曲)

Abstract

本文以杜悌尤的《長笛小奏鳴曲》為研究對象，先追溯當時音樂院的傳統與法國長笛學派做地區與時代的背景，再進行曲式分析、演奏詮釋與唱片版本的比較；接而探究一些美學上的議題，諸如作曲家、演奏者與聽眾之間不同評價的關係，特別是肯定早期作品與考試曲目的藝術價值，可調整對晚期作品的高估與對功能性曲目的輕視。

This paper focuses on Dutilleux's Sonatine for flute and piano, traces first its background in the tradition of the Paris Conservatory and the French Flute School, then analyses its formal, performing and interpretational aspects. Discussions on aesthetic issues, such as the relationship between the critical perspectives of composer, performer and audience, lead eventually to the rehabilitation of early works and examination pieces.