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dc.contributor.author魏佩瑩en_US
dc.contributor.authorPei-Ying Weien_US
dc.contributor.author王真儀en_US
dc.contributor.authorJen-Yi Wangen_US
dc.date.accessioned2014-12-12T03:08:53Z-
dc.date.available2014-12-12T03:08:53Z-
dc.date.issued2007en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009446516en_US
dc.identifier.urihttp://hdl.handle.net/11536/81943-
dc.description.abstract本文目的主要透過亨采求學的背景以及影響亨采之作曲家史特拉文斯基為基礎，進一步從「新維也納樂派」、史特拉文斯基當時所提倡的「新古典主義」之創作理念著手，分析亨采《給無伴奏大提琴之小夜曲》之創作手法。在演奏詮釋上，對於亨采所賦予各個短曲的風格或速度標語之意義將加以了解闡述，以期能更貼近作曲家的創作理念。zh_TW
dc.description.abstractThis essay first of all introduces the compositional background of Henze and the influences of Stravinsky on Henze. The paper then traces the theories of the Second Viennese School, the musical characteristics of Stravinsky, and the Neo-classicism promoted by Stravinsky. Through these research the author aims to obtain a more precise analysis and an interpretation closer to the composer’s heart.en_US
dc.language.isozh_TWen_US
dc.subject亨采zh_TW
dc.subject給大提琴之無伴奏小夜曲zh_TW
dc.subjectHenzeen_US
dc.subjectSerenade for Violoncello Soloen_US
dc.title魏佩瑩大提琴演奏會含輔助文件亨采《給無伴奏大提琴之小夜曲》樂曲之分析與詮釋探討zh_TW
dc.titlePei-Ying Wei Cello Recital with a supporting paper An Analysis and Interpretation on Henze's Serenade for Violoncello Soloen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis


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