Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 楊英風 | en_US |
dc.date.accessioned | 2014-12-12T05:09:56Z | - |
dc.date.available | 2014-12-12T05:09:56Z | - |
dc.date.issued | 1958 | en_US |
dc.identifier.uri | http://yuyuyang.e-lib.nctu.edu.tw/index.asp?view=1&db=artWorks&no=A0044 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/84798 | - |
dc.description.abstract | 此作完成於一九五八年,是楊氏在《豐年雜誌》工作期間所作,屬於半抽象的木刻版畫,是楊氏版畫風格從寫實走向抽象的過渡時期之作。有火即有光明,風驅之向,故以罩之,名為燈。可指引明路,照亮黯途。千百年來,燈的形狀千變萬化,但最引人發思古之幽情的,還是純屬中國的燈:花燈、路燈、水燈、宮燈、天燈等,所代表的涵意皆不相同,畫之以花草庭園,像之以蟲魚鳥獸,亦互有異。畫面中心是飾有魚圖案的燈,其左下方上有另一個宮燈,背景以橘紅色色調為主,象徵「燈」帶來了光明,畫面中的呈現弧形的各式線條則是懸掛燈的細線,無形中增添了畫面的變化。 | zh_TW |
dc.language.iso | zh_TW | en_US |
dc.subject | 楊英風 | zh_TW |
dc.subject | 版畫 | zh_TW |
dc.subject | 燈 | zh_TW |
dc.title | 燈 | zh_TW |
dc.type | 版畫 | zh_TW |
Appears in Collections: | Yuyu Yang Digital Art Museum |
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