Full metadata record
DC FieldValueLanguage
dc.contributor.author楊英風en_US
dc.date.accessioned2014-12-12T05:09:56Z-
dc.date.available2014-12-12T05:09:56Z-
dc.date.issued1958en_US
dc.identifier.urihttp://yuyuyang.e-lib.nctu.edu.tw/index.asp?view=1&db=artWorks&no=A0044en_US
dc.identifier.urihttp://hdl.handle.net/11536/84798-
dc.description.abstract此作完成於一九五八年,是楊氏在《豐年雜誌》工作期間所作,屬於半抽象的木刻版畫,是楊氏版畫風格從寫實走向抽象的過渡時期之作。有火即有光明,風驅之向,故以罩之,名為燈。可指引明路,照亮黯途。千百年來,燈的形狀千變萬化,但最引人發思古之幽情的,還是純屬中國的燈:花燈、路燈、水燈、宮燈、天燈等,所代表的涵意皆不相同,畫之以花草庭園,像之以蟲魚鳥獸,亦互有異。畫面中心是飾有魚圖案的燈,其左下方上有另一個宮燈,背景以橘紅色色調為主,象徵「燈」帶來了光明,畫面中的呈現弧形的各式線條則是懸掛燈的細線,無形中增添了畫面的變化。zh_TW
dc.language.isozh_TWen_US
dc.subject楊英風zh_TW
dc.subject版畫zh_TW
dc.subjectzh_TW
dc.titlezh_TW
dc.type版畫zh_TW
Appears in Collections:Yuyu Yang Digital Art Museum


Files in This Item:

  1. aa5800301g001-0001-i.jpg

If it is a zip file, please download the file and unzip it, then open index.html in a browser to view the full text content.