完整後設資料紀錄
DC 欄位語言
dc.contributor.author陳憶慈zh_TW
dc.contributor.author陳延昇zh_TW
dc.contributor.authorChen, Yi-Cihen_US
dc.contributor.authorChen, Yen-Shenen_US
dc.date.accessioned2018-01-24T07:39:25Z-
dc.date.available2018-01-24T07:39:25Z-
dc.date.issued2017en_US
dc.identifier.urihttp://etd.lib.nctu.edu.tw/cdrfb3/record/nctu/#GT070359107en_US
dc.identifier.urihttp://hdl.handle.net/11536/140503-
dc.description.abstract本研究主要關注對為何人們悲傷電影中獲得滿足感,特別是那些擁有悲慘結局的悲劇電影。因此,本研究將聚焦在,分別觀看好/壞結局的悲傷電影中,情緒如何由負向轉換為正向情緒,其心理機制是否有所差異。而本研究也將結合感知真實、文本轉移、社會比較以及情緒的後設評估等變項,目的在於為悲劇電影之觀影經驗建構一完整理論架構。 而本研究經過結構方程模型(SEM)分析後顯示,在壞結局的悲劇版本電影中,感知真實可以顯著的預測文本轉移之路徑;接著,文本轉移亦與向下比較、後設評估之路徑顯著;最後,後設評估與後設情緒(欣賞感)之路徑顯著。 另一方面,而在觀看好結局的悲傷電影中,結構方程模型(SEM)分析顯示,電影帶來的感知真實與文本轉移之路徑顯著,且文本轉移與欣賞感之路徑亦顯著。最後,本研究亦發現,對悲劇電影來說,情緒不會由負轉正,因為負向情緒與正向情緒是分別存在於兩獨立之情緒構面上。zh_TW
dc.description.abstractThis research mainly focuses on why people can feel gratified when watching a sad film especially that ends miserably. Thus, this research delivers deeper insights in processes of how negative emotions transforming negative emotions to positive emotions during the good/bad end version of sad-film exposure. This article also integrates perceived realism, transportation, downward comparison, and meta-emotion, for the purpose of creating a theoretical model of viewing experience during tragedy exposure. In the bad end version (tragedy), the results from SEM (structural equation modeling ) analyses shows that perceived realism of the movie is a positive predictor of transportation. Then, transportation is a positive predictor of downward comparison and meta-appraisals. Meta-appraisals, in turn, is a positive predictor of meta-emotion (appreciation) of tragedy. On the other hand, in the bad end version, the results from SEM analyses shows that perceived realism of the movie is a positive predictor of transportation. Then, transportation is a positive predictor of appreciation. At last, other findings in this article, that is, the negative emotion (sadness) can not be transformed into a positive meta-emotion. Because both negative and positive emotion are independently on the different emotional dimension.en_US
dc.language.isozh_TWen_US
dc.subject悲傷情緒zh_TW
dc.subject感知真實zh_TW
dc.subject文本轉移zh_TW
dc.subject向下比較zh_TW
dc.subject後設情緒zh_TW
dc.subjectsadnessen_US
dc.subjectperceived realityen_US
dc.subjecttransportationen_US
dc.subjectdownward comparisonen_US
dc.subjectmeta-emotionen_US
dc.title結局差異對觀賞悲劇文本的觀影經驗之影響—探討向下比較與後設評估機制zh_TW
dc.titleThe impact of ending version differences on tragedy viewing experience : Exploring downward comparison and meta-analysis of mechanismen_US
dc.typeThesisen_US
dc.contributor.department傳播研究所zh_TW
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