陳冠妤新音樂劇場作品發表會 含原創作品集與夵註釋文件

Abstract

「對比」為貫穿本作品的主軸概念。論文中探討水墨的運行手法及動態,進而運 用至作品當中。藉由不同的視角,呈現對比的各種狀態。 本論文為新音樂劇場作品《夵》之輔助文件。第一部份為創作動機及水墨創作 概念及作品的關聯性,說明筆者的理念及想法,以水墨技法延伸至音樂上,將兩者 之間的連結更緊密的結合。第二部份為分析筆者創作之新音樂劇場作品《夵》,包 含作品段落設計、舞台演出規劃執行及音樂、舞蹈肢體、電子音樂及影像燈光的設 計,並說明筆者為本作品所設計的「數字對比系統」之運用方式。 本論文分為四個章節,第一章為緒論;第二章講述創作動機、作品概念及相關理論運用介紹;第三章為新音樂劇場作品《夵》之創作分析;第四章為本論文之結語。

“Contrast” is the main theme that can be seen throughout this music theatre presentation. The thesis discusses the motion techniques and the movement of the ink painting and applies them to the music theater performance. It presents a great variety of contrasts from different angles. The thesis is the supplementary document of the music theatre “Yan”. Part One describes the motives for creating the piece of music theater and shows the relationship between the music theatre piece and the concept of artistic ink painting, which expresses the author’s beliefs and ideas. By using the techniques of ink painting and connecting them to the music, the link between the two becomes more intense. Part Two analyzes the author’s innovation of the music theatre piece “Yan”, which includes the design of each paragraph, the scheme of the stage performance and music, the dance choreography, the electronic music and the stage lighting as well as the author’s innovative operation of the “number contrast system”. The thesis is divided into four chapters. Chapter one is the preface. Chapter two describes the author’s motive for creating this piece of music theatre, the concept of the music theatre and the introduction of some related theories. Chapter three analyzes the creation of the new music theatre piece “Yan”. Chapter four is the conclusion of the thesis.