林佳儀電子音樂作品發表會含原創作品集與註釋文件

Abstract

本論文共包含五首曲目，其中兩首為電子音樂作品(Acousmatic Music)，另外三首為結合器樂與電子音樂之作品。本作品集中，筆者致力於將音樂與科技兩種不同的媒介緊密結合，賦予兩者和諧的對話關係。筆者運用東西方思想以及畫作為創作靈感，透過西方的器樂創作技法以及音訊處理技術，傳達思想及畫中的意念。 本論文就作品發表會每一首原創作品做創作理念之闡述與作品分析，共分為六個章節：第一章—緒論，就科技在音樂發展史上的重要性做綜合性闡述。第二章—作品創作背景與理念，其中包含創作背景與創作理念，內容涵蓋不同音色與聲音姿態的創作背景初探，以及預置電子音樂與即時互動電子音樂的創作理念，並舉例說明這些創作理念在五首作品中的體現。第三章—電子音樂技術探討，包含磁帶技術(Tape technique)、濾波(Filtering)、顆粒合成(Granular Synthesis)、延遲(Delay)…等技術之說明。第四章—作品分析，針對發表會之五首作品，進行獨立探討，其中包含：曲式結構、器樂寫作技法、樂曲織度、音高素材、節奏型態以及電子音樂使用技術。第五章—科技在我作品中的功能及角色，包含運用科技帶來新音色的創造、聲音姿態的設計、多元空間的營造以及新展演模式的建構。第六章—結論，為筆者對論文之省思與結語。

This thesis consists of five musical works, two of them are acousmatic music, and the other three are mixed music. On the one hand, the author is dedicated to combining music and technology in this portfolio and establishing close dialogues between the two. On the other hand, the author used the combination of Western instrumental music techniques and audio processing technology to preset the humanistic thought and the aesthetics of painting into this portfolio. This thesis expounds the author’s idea of creation and the analysis of each composition in the repertoire of the presentation. The thesis comprises six chapters. Chapter one introduces the importance of technology throughout the history of music development. Chapter two explains the background and the author’s idea of creation. Chapter three describes the electronic musical techniques employed in five different compositions, such as tape technique, filtering, granular synthesis, and delay. Chapter four further elaborates on the content of the five compositions, including their structures, forms, instrumentations, acoustic textures, and pitch materials. Chapter five describes electro-acoustic musical techniques that provide the author in exploration of new timbre, the design of acoustic gesture, new space of sounds and new live performance. The last chapter concludes with general remarks on the contribution and limitation of this thesis.