製圖行動：漫遊、錨定、協作、擴張

Abstract

本設計方法論文之目的在於探討如何運用製圖法來觀察、理解、詮釋和重新塑造世界，最終仍聚焦於建築設計本身，因建築師與製圖學家同為以繪製地圖和他人溝通的專家，將想像投射於地圖上，再透過地圖建設未來。個案研究對象為廣義上的地圖之背後意圖與其繪製方法，如一般性地圖、建築基本圖說、長軸圖及繪畫等。

本論文建立一套新的關於製圖思考的認知座標系統，有四個象限依序為「漫遊、錨定、協作、擴張」，它們個別為製圖法且相互運作，其價值在於檢視個人作品之間的思考脈絡及演進過程，也作為往後發展設計的墊腳石。

緒論中的第六章節為本論文的導引地圖，既為前五章節的結論，亦為後續作品的總覽。標題中的「行動」一詞，對比於「藝術」更為真實且主動，「製圖」則為繪製地圖的行為，也有「持續進行中」的意涵，本論文企圖繪製出可持續製圖的地圖，啟動對尋找答案和探索問題的意識。

The design methodology in this thesis aims to review how to observe, understand, interpret, and reshape the world by mapping. It eventually focus on architectural design. Since architects and cartographers are experts using maps to communicate with others. They project their imagination on the maps, which are able to construct the future. The subjects in case studies are the attempts and mapping skills of maps in a broad sense, such as the general map, architectural drawing, scroll, painting, and so on.

This thesis establishes a new cognitive coordination of mapping thought constructed by four quadrants which is “Wayfaring, Anchoring, Coordinating, Expanding” in sequence. Those are one of mapping skills and also can operate together. The value of the coordination is to examine the thinking context and progress between my projects, then become the stepping stone of next design development.

The Sixth Chapter in introduction is a guide map of this thesis concluded previous five chapters and overview in following projects. On the topic, using the word “Act” rather than “Art” is more real and active. “Mapping” means an act of making a map and also somehow ongoing status. This thesis attempts to mapping a map of mapping in order to aware of finding answers and exploring why.