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dc.contributor.authorChuang, MCen_US
dc.contributor.authorShiau, KAen_US
dc.date.accessioned2014-12-08T15:20:27Z-
dc.date.available2014-12-08T15:20:27Z-
dc.date.issued1998-11-01en_US
dc.identifier.issn0265-8135en_US
dc.identifier.urihttp://hdl.handle.net/11536/14542-
dc.description.abstractIn this study Ming-style chairs are used as examples to investigate the critical factors constituting the style of products. In an experiment, subjects were asked to compare varied pairs of Ming-style chairs. These comparisons were then analyzed by using the methods of multidimensional scaling and multiple regression analysis. The results show that the perception of Ming-style chairs between designer subjects and nondesigner subjects are similar and that the three main dimensions constituting the subjects' perceptual space are 'elementary feature:'emotional image: and 'use feeling'. There exist some common critical elementary features among Ming-style chairs. The degree of style similarity (being perceived as the same style) between a pair of chairs will increase with an increase in the number of critical features shared. The influential powers to this perception of similarity are different among these features.en_US
dc.language.isoen_USen_US
dc.titleA study of style recognition and the operation of products in which Ming-style chairs are used as examplesen_US
dc.typeArticleen_US
dc.identifier.journalENVIRONMENT AND PLANNING B-PLANNING & DESIGNen_US
dc.citation.volume25en_US
dc.citation.issue6en_US
dc.citation.spage837en_US
dc.citation.epage848en_US
dc.contributor.department應用藝術研究所zh_TW
dc.contributor.departmentInstitute of Applied Artsen_US
dc.identifier.wosnumberWOS:000077264700004-
dc.citation.woscount2-
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