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dc.contributor.authorWu, Yi-Chianen_US
dc.contributor.authorTsai, Yu-Tingen_US
dc.contributor.authorLin, Wen-Chiehen_US
dc.contributor.authorLi, Wen-Hsinen_US
dc.date.accessioned2014-12-08T15:31:24Z-
dc.date.available2014-12-08T15:31:24Z-
dc.date.issued2013-06-01en_US
dc.identifier.issn0167-7055en_US
dc.identifier.urihttp://dx.doi.org/10.1111/cgf.12161en_US
dc.identifier.urihttp://hdl.handle.net/11536/22313-
dc.description.abstractThis paper presents a novel example-based stippling technique that employs a simple and intuitive concept to convert a color image into a pointillism painting. Our method relies on analyzing and imitating the color distributions of Seurat's paintings to obtain a statistical color model. Then, this model can be easily combined with the modified multi-class blue noise sampling to stylize an input image with characteristics of color composition in Seurat's paintings. The blue noise property of the output image also ensures that the color points are randomly located but remain spatially uniform. In our experiments, the multivariate goodness-of-fit tests were adopted to quantitatively analyze the results of the proposed and previous methods, further confirming that the color composition of our results are more similar to Seurat's painting style than that of previous approaches. Additionally, we also conducted a user study participated by artists to qualitatively evaluate the synthesized images of the proposed method.en_US
dc.language.isoen_USen_US
dc.titleGenerating Pointillism Paintings Based on Seurat's Color Compositionen_US
dc.typeArticleen_US
dc.identifier.doi10.1111/cgf.12161en_US
dc.identifier.journalCOMPUTER GRAPHICS FORUMen_US
dc.citation.volume32en_US
dc.citation.issue4en_US
dc.citation.spage153en_US
dc.citation.epage162en_US
dc.contributor.department資訊工程學系zh_TW
dc.contributor.departmentDepartment of Computer Scienceen_US
dc.identifier.wosnumberWOS:000321946800017-
dc.citation.woscount2-
Appears in Collections:Articles


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