戴以榮作品發表會 含輔助文件 《等候》：原創作品與註釋

Abstract

本輔助文件包括兩個部分：第一部分為關於作品的創作理念及體現方式之探討，第二部分為室內樂曲《等候》之總譜以及作品發表會其餘作品之完整總譜。 室內樂曲《等候》為八重奏編制的室內樂，採單一樂章形式，創作靈感來自於筆者經歷情緒低潮而逐漸恢復的一段過程；其中生命的體會，希望能夠用創作樂曲的方式，將內心的體驗改造成音響的形式。 文字陳述部分共分為五章，第一章為前言，介紹創作樂曲的動機；第二章 為室內樂曲《等候》的創作理念；第三章探討創作理念如何在樂曲中被體現；而第四章是文字搭配譜例的完整樂曲分析以及第五章的結論。

The supporting paper consists of two parts: The essay expounding the ideas, methods and theoretical studies about this work and the chamber composition “Wait Upon”. The work is a single movement piece for an octet chamber music. It is inspired by a personal experience: the depression I've went through and the process of recovering. I wanted to express my life experience through my composition. The essay is arranged in five chapters: chapter one, the preface, introduce the motive of composition, chapter two and three presents a theoretical study on music perspectives, and describes in details some issues and compositional techniques employed in “Wait Upon”, chapter four is the analysis of work and chapter five is conclusion.