林律利鋼琴演奏會 含輔助文件 布拉姆斯鋼琴作品119之詮釋探討：文本與情境

Abstract

布拉姆斯的鋼琴作品119，是他人生中的最後一套鋼琴作品。本文在以瞭解其心理層面的前提下，藉由布拉姆斯與克拉拉及舒曼的書信往來，及其相關的研究來做為本文之引述，藉此統整出布拉姆斯後期的心境及創作想法。 本文分為三個部分。首先，從布拉姆斯的生活情境帶入，將其與克拉拉及舒曼認識的經過，及相互往來之書信內容作融合，並由書信中著墨於布拉姆斯與克拉拉間情感之體現。再來，則分析鋼琴作品119，並將布拉姆斯的生活情境帶入。最後，從此作品中觀察其整體特性與情境之表達，並將文本與情境之探討與演奏詮釋結合。

The set of piano pieces Op. 119 is Brahms’s last solo piano work. With the understanding of the composer’s mental state deduced from the letters between Brahms, Clara and Robert Schumann, as well as from other related research, the paper integrates Brahms’s moods and thoughts during the last compositional years, as the lead-in to the center discussion on Op. 119. There are three main parts in this paper. First of all, observing the context in Brahms’s life: his encounters and correspondences with Clara and Robert Schumann, leading to further speculation on the life-long complex relationship between Brahms and Clara. Secondly, an analysis on the four pieces: a study integrating text and context. Finally, after reviewing the work’s overall compositional features and expressions in connection with its context, the paper will conclude by a discussion on the effect of text and context on performance interpretation.