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dc.contributor.author呂佳芳en_US
dc.contributor.authorLu, Chia-Fangen_US
dc.contributor.author蔣茉莉en_US
dc.contributor.authorChiang, Mo-Lien_US
dc.date.accessioned2014-12-12T01:32:41Z-
dc.date.available2014-12-12T01:32:41Z-
dc.date.issued2009en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT079646502en_US
dc.identifier.urihttp://hdl.handle.net/11536/43181-
dc.description.abstract本文以《阿貝格變奏曲》為觀察對象,第一章介紹舒曼創作此曲時的理念與手法;第二章詳細分析其音樂的結構與段落的設計,以和聲、旋律、節奏、音樂織度四大方向分析此曲音樂內容的編制;第三章則為本文最重要的部份,以舒曼為了強調貫穿全曲的音樂素材而使用的術語及符號,提出筆者自身彈奏時的詮釋想法。zh_TW
dc.description.abstractThis essay on Schumann’s Abegg Variations op.1 will have its focus in the first two chapters on the composer’s musical thoughts and the understanding of his stylistic writing. Schumann’s presentation of the variation from and his musical idioms in harmony, melody and rhythm are also parts of the discussion. In the last chapter of this essay, I will also include my interpretative inputs on performing this master work.en_US
dc.language.isozh_TWen_US
dc.subject舒曼zh_TW
dc.subject變奏曲zh_TW
dc.subjectSchumannen_US
dc.subjectVariationsen_US
dc.title呂佳芳鋼琴演奏會 含輔助文件--舒曼阿貝格變奏曲作品一之分析與演奏詮釋zh_TW
dc.titleCHIA-FANG LU PIANO RECITAL WITH A SUPPORTING PAPER:AN ANALYSIS AND INTERPRETATION OF SCHUMANN’S ABEGG VARIATIONS, OP. 1en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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