完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.author | 呂佳芳 | en_US |
dc.contributor.author | Lu, Chia-Fang | en_US |
dc.contributor.author | 蔣茉莉 | en_US |
dc.contributor.author | Chiang, Mo-Li | en_US |
dc.date.accessioned | 2014-12-12T01:32:41Z | - |
dc.date.available | 2014-12-12T01:32:41Z | - |
dc.date.issued | 2009 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#GT079646502 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/43181 | - |
dc.description.abstract | 本文以《阿貝格變奏曲》為觀察對象,第一章介紹舒曼創作此曲時的理念與手法;第二章詳細分析其音樂的結構與段落的設計,以和聲、旋律、節奏、音樂織度四大方向分析此曲音樂內容的編制;第三章則為本文最重要的部份,以舒曼為了強調貫穿全曲的音樂素材而使用的術語及符號,提出筆者自身彈奏時的詮釋想法。 | zh_TW |
dc.description.abstract | This essay on Schumann’s Abegg Variations op.1 will have its focus in the first two chapters on the composer’s musical thoughts and the understanding of his stylistic writing. Schumann’s presentation of the variation from and his musical idioms in harmony, melody and rhythm are also parts of the discussion. In the last chapter of this essay, I will also include my interpretative inputs on performing this master work. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 舒曼 | zh_TW |
dc.subject | 變奏曲 | zh_TW |
dc.subject | Schumann | en_US |
dc.subject | Variations | en_US |
dc.title | 呂佳芳鋼琴演奏會 含輔助文件--舒曼阿貝格變奏曲作品一之分析與演奏詮釋 | zh_TW |
dc.title | CHIA-FANG LU PIANO RECITAL WITH A SUPPORTING PAPER:AN ANALYSIS AND INTERPRETATION OF SCHUMANN’S ABEGG VARIATIONS, OP. 1 | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
顯示於類別: | 畢業論文 |