陳建榜多媒體作品發表會含輔助文件《掘》：原創作品與註釋

Abstract

本論文為多媒體作品《掘》的輔助文件，共分五個章節。

第一章為緒論，概述《掘》作品的創作類型－多媒體互動創作，在科技的支援之下，逐漸蔚然成形的現象，以及《掘》所採用的文本核心概念、作品編制。第二章細談《掘》之創作理念、創作動機以及本作品的核心概念：二十世紀心理學家佛洛伊德之精神分析理論與其著作《夢的解析》，並解釋兩者在本作品中的應用、最後於本章末節介紹與夢相關之藝術作品。 第三章分節詳述《掘》的編制及舞台、作品架構、舞者肢體動作、現場器樂演出、預置電音、預置影像、Max/MSP/Jitter程式的運用設計。第四章則以創作者角度分析在全曲在各個面向的設計，並解說樂器演奏法及記譜。 第五章則為全文的結論，並於本章結束後以附錄形式提供本論文的參考文獻資料以及《掘》的樂曲總譜。

This thesis, divided into five chapters, serves as a supporting paper to the composition Excavating.

Chapter One introduces the phenomenon that multimedia-interaction composition, along with the support of latest technology, has gradually comes to fruition. Moreover, the basic concept of Excavating and its instrumentation is provided in this chapter. In Chapter Two, this thesis explores the compositional background, motive, and the core concept of Excavating which applies the concept of Sigmund Freud’s The Interpretation of Dreams and his psychoanalytic theory. In addition, this chapter introduces several art works which is associated with the idea of dream.

Therefore, in Chapter Three, this thesis investigates the detailed components of Excavating, which includes staging, structure, choreography, live-instrumentalists, pre-recorded video and Max/MSP/Jitter software. Chapter Four, on the composer’s point of view, delineates various aspects of composition in Excavating, and provides information on performing and notation. Finally, the last chapter serves as the conclusion of the whole thesis. By the end of the thesis, the bibliography and the score of the composition would be attached in appendixes as references.