陳筱茵中提琴演奏會含輔助文件:潘德瑞基《中提琴協奏曲》─ 詮釋與分析

Abstract

本文為分析與詮釋波蘭作曲家潘德瑞基於1983年完成的中提琴協奏曲，並藉由觀測潘德瑞基於1984年所寫的《為中提琴的裝飾奏》來輔助詮釋上的論點。先從潘德瑞基的求學歷程與人生經驗著手，歸納與敘述其創作風格之演變與作品背景等。藉由樂曲之架構與創作元素分析求得合理的詮釋方式，筆者期望能完整理解與傳達作曲家之理念。

The research subject of this thesis is the viola concerto by the Poland composer Krzysztof Penderecki, written in 1983. The paper also mentioned the other work “Viola Cadenza” by Krzysztof Penderecki in 1984, which uses common basics and shares the connection with the concerto. By tracing the composer’s musical studies and life experiences, much can be understood about his compositional characteristic, the various stages of his musical styles and the principles that he holds for music writings. The quest of a truthful performance of the concerto is to be based on the interpretation and analysis of its structure, the resolution of the technical difficulties and the understanding of the composer’s music language in this work. Through the research, hoping to find and achieve a total expression of the composer’s thoughts conveyed in the music.